Mary McFadden Exhibit in D.C.

Susan Khalje, contributor

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Mary McFadden combines a broad range of cultural references with her elegant style.

Susan Khalje

A dramatic black and white gown uses McFadden’s signature pleated fabric.

Susan Khalje

Asian influences are clear in this quilted coat; narrow parallel lines of quilting are another McFadden signature.

Susan Khalje

Mary McFadden combines a broad range of cultural references with her elegant style.

Photo: Susan Khalje

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Harold Koda, curator of the Costume Institute, Metropolitan Museum of Art has said, "McFadden’s designs convey her deep interest in distant cultures and times….(she) reflects in her designs an archeologist’s fascination with the cultures and narratives expressed through art."

There’s currently a fascinating exhibit at the National Museum of Women in the Arts in Washington, D.C. Mary McFadden: Goddesses runs through August 30. Visit the museums's blog for more information.

I’ve long been an admirer of McFadden’s elegant garments, and the way she combines a broad range of cultural references with her elegant style.

The designer is now 70, and had been a unique contributor to American fashion since her New York debut in 1974 (she closed her showroom in 2002). The exhibit contains 40 of her couture gowns, along with the many of the textiles and objects that have inspired them. Her inspiration is wide-ranging - from Egypt to South America to Central Asia to China to Ireland and beyond – and it’s fascinating to see how she works these references into her garments - in silhouette, in fabrication, and in embellishment.

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Comments (5)

trishapat writes: the show was in Boston at Mass College of Art recently. There were books and a video as well as the garments shown. There were pieces of jewelry in cases too. I love seeing how she was influenced by other cultures. She had traveled a lot prior to starting to design. It would be great to find sources for some of the embroidered elements that she uses.
I did illustration for her in the late 1970's and early '80's, and didn't see any of the gowns had drawn in the Boston show or in the book. That tells me that there are even more than what are being presented in these shows.
I think she is amazing and her work is breathtakingly beautiful.
Posted: 7:21 pm on January 25th

JaniceCM writes: Mary Mcfadden is by far one of my favorite designers. I have also been heavily influenced by other cultures in what I sew,and have,since the 1970's, followed her incredible designs. Gorgeous!
Thanks,
Janice Morrill
Posted: 12:34 pm on October 10th

jofre146 writes: I am particularly fascinated by her use of macramé in addition to her emphasis on quilted and embroidered embellishment. While the large scale macramé pieces she used tend to date the clothing to the 70's, her work inspires me to create micro-macramé sections which will add a rich, Byzantine look to Fortuny-pleated gowns.
Posted: 11:19 am on August 11th

LisaS2 writes: Hi Susan!

I love these. Gorgeous details. The third photo from the bottom would be a stuning wedding gown in white/ivory, still with the gold embroidered bodice treatment. Dresses like this make me want to get married again - to the same man, or course...

be well,

lisa
Lisa Shepard Stewart
www.CulturedExpressions.com
Posted: 11:15 am on August 11th

lonieberg writes: The creations of Mary McFadden are truly awe inspiring! As a professional Alterations Lady, I am constantly encouraged by the designers and by the gowns and creations that I get in to work with. Each time, I learn something new about construction and design, (and I have a few tricks up my sleeve of my own). McFaddens use of fabric texture and pattern makes her truly unique...Aloma Cronberg........Aloma's Alterations, Laramie, Wyoming.
Posted: 10:22 am on August 11th

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